<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>Research, resources and ideas on modern music.</description><title>Further Listening</title><generator>Tumblr (3.0; @furtherlistening)</generator><link>http://furtherlistening.tumblr.com/</link><item><title>Selected Links: Eliane Radigue
Eliane Radigue 30 Years Ago and...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lli4458yAH1qff2gbo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;Selected Links: Eliane Radigue&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="http://freemusicarchive.org/curator/DRAM/blog/Eliane_Radigue_30_Years_Ago_and_Now" target="_blank"&gt;Eliane Radigue 30 Years Ago and Now (DRAM/NWR)&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;In the process of digitising 40 Phill Niblock Experimental Intermedia radio shows from the 1980s, &lt;a href="http://www.dramonline.org/" target="_blank"&gt;DRAM&lt;/a&gt; and &lt;a href="http://freemusicarchive.org/" target="_blank"&gt;NWR&lt;/a&gt; are using this opportunity to reconnect with the artists featured and examine how their approach has developed 30 years on.&lt;/p&gt;
&lt;p&gt;This hour-long podcast features an early-80s interview with Eliane in which she talks about her “non-event music”, along with audio from a live recording of &lt;span&gt;Adnos III.&lt;/span&gt; It also contains an extract from solo-cello piece &lt;span&gt;Naldjorlak (full recording on &lt;a href="http://www.shiiin.com/" target="_blank"&gt;Shiiin&lt;/a&gt;, 2008) and &lt;/span&gt;a recent catch-up conversation with clarinetist &lt;span&gt;Carol Robinson and Eliane on&lt;/span&gt; her post-ARP work.&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5668583343</link><guid>http://furtherlistening.tumblr.com/post/5668583343</guid><pubDate>Fri, 20 May 2011 16:52:00 +0100</pubDate><category>eliane radigue</category></item><item><title>Selected Links: Eliane Radigue
Hear three out of print titles on...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lli230WYto1qff2gbo1_400.gif"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Selected Links: Eliane Radigue&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;&lt;a href="http://www.ubu.com/sound/radigue.html" target="_blank"&gt;Hear three out of print titles on Ubuweb&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Avant-garde enthusiasts &lt;a href="http://ubuweb.com/" target="_blank"&gt;Ubuweb&lt;/a&gt; have made available three essential but sadly out of print works by Eliane, Geelriandre and Arthesis &lt;/span&gt;&lt;span&gt;(1972), Adnos I-III (1975-83) and Kyema, Intermediate States (2002).&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;It’s worth noting that much of Eliane’s work is currently in print, see releases on labels such as &lt;a href="http://lovely.com/" target="_blank"&gt;Lovely Music&lt;/a&gt;, &lt;a href="http://www.xirecords.org/index.shtml" target="_blank"&gt;Experimental Intermedia&lt;/a&gt; and &lt;a href="http://www.importantrecords.com/" target="_blank"&gt;Important Records&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5667870837</link><guid>http://furtherlistening.tumblr.com/post/5667870837</guid><pubDate>Fri, 20 May 2011 16:09:00 +0100</pubDate><category>eliane radigue</category></item><item><title>Selected Links: Eliane Radigue
Prism Escape Interview and Empty...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_llht61vh401qff2gbo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;Selected Links: Eliane Radigue&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="http://www.digital-athanor.com/PRISM_ESCAPE/article_usc103.html?id_article=121" target="_blank"&gt;Prism Escape Interview&lt;/a&gt; and &lt;a href="http://www.cirrusoxide.com/journal2/wp-content/uploads/Empty_Music.pdf" target="_blank"&gt;Empty Music: L’île Re-Sonante&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;In the first article, Eliane Radigue gives a lengthy interview to &lt;a href="http://www.digital-athanor.com/PRISM_ESCAPE/sommaire_us.html" target="_blank"&gt;Prism Escape&lt;/a&gt; about her music-making process and relationship with the ARP 2500.&lt;/p&gt;
&lt;p&gt;Secondly, musician &lt;a href="http://www.cirrusoxide.com/" target="_blank"&gt;Chuck Johnson&lt;/a&gt;’s ‘Empty Music’ uses spectral analysis to reveal more about the structure of one of Eliane’s later ARP works ‘L’île Re-Sonante’ (recording available on &lt;a href="http://www.shiiin.com/" target="_blank"&gt;Shiiin&lt;/a&gt;).&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5665027253</link><guid>http://furtherlistening.tumblr.com/post/5665027253</guid><pubDate>Fri, 20 May 2011 12:56:00 +0100</pubDate><category>eliane radigue</category></item><item><title>Selected Links: Eliane Radigue
The Morning Concert with Eliane...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_llhpia0JDE1qff2gbo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Selected Links: Eliane Radigue&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;&lt;a href="http://www.archive.org/details/MC_1980_12_11" target="_blank"&gt;The Morning Concert with Eliane Radigue (KPFA-FM, 1980)&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;This radio interview and performance from December 1980 is hosted by the &lt;a href="http://www.archive.org/" target="_blank"&gt;Internet Archive&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Eliane tells &lt;span&gt;Charles Amirkhanian about her early experiences of concrete music as a student of &lt;/span&gt;Pierre Henry and Pierre Schaefer, and explains the later influence of Tibetan Buddism on her work. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;This recording also features the live performance of two landmark works, &lt;/span&gt;&lt;span&gt;Chry-ptus (full recording available on &lt;a href="http://www.schoolmap-records.com/" target="_blank"&gt;Schoolmap&lt;/a&gt;)  and Triptych (full recording available on &lt;a href="http://www.importantrecords.com/" target="_blank"&gt;Important Records&lt;/a&gt;).&lt;/span&gt;&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5664032909</link><guid>http://furtherlistening.tumblr.com/post/5664032909</guid><pubDate>Fri, 20 May 2011 11:37:23 +0100</pubDate><category>eliane raiduge</category></item><item><title>Selected Links: Eliane Radigue
A Portrait of Eliane Radigue...</title><description>&lt;iframe src="http://player.vimeo.com/video/8983993" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;Selected Links: Eliane Radigue&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;A Portrait of Eliane Radigue (2009, Austrian IMA)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;This intimate 15-minute “portrait” by the Austrian Institute for Media Archeology provides an insight into Eliane’s seminal work on the ARP 2500, through discussion of process and performance.&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5647077528</link><guid>http://furtherlistening.tumblr.com/post/5647077528</guid><pubDate>Thu, 19 May 2011 22:13:53 +0100</pubDate><category>eliane radigue</category></item><item><title>Selected Links: Eliane Radigue
The first UK retrospective of...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_llgjusxKcw1qff2gbo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;Selected Links: Eliane Radigue&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The first UK retrospective of Eliane Radigue’s work is to take place in London next month, and to celebrate we have complied a selection of valuable online resources related to the work of France’s finest drone composer and queen of the ARP 2500 synthesizer. Posts to follow…&lt;/p&gt;
&lt;p&gt;&lt;a href="http://soundandmusic.org/projects/triptych-music-eliane-radigue" target="_blank"&gt;‘Triptych: The Music of Eliane Radigue’&lt;/a&gt;, organised by &lt;a href="http://soundandmusic.org/" target="_blank"&gt;Sound and Music&lt;/a&gt;, runs from 12-26 June 2011 (London, various venues).&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5647074046</link><guid>http://furtherlistening.tumblr.com/post/5647074046</guid><pubDate>Thu, 19 May 2011 22:13:46 +0100</pubDate><category>eliane radigue</category><category>selected links</category></item><item><title>Further with…The Disintegration Loops #5: Oval, 94discont....</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_ll914taW0Z1qff2gbo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Further with…The Disintegration Loops #5: Oval, 94discont. (Mille Plateaux, 1995)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Minimal electronic loop-music, this entire album is made up of collaged recordings of “prepared” cdrs, which were scratched and damaged before play to produce an error-skipping effect.&lt;/span&gt;&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5516426473</link><guid>http://furtherlistening.tumblr.com/post/5516426473</guid><pubDate>Sun, 15 May 2011 19:10:00 +0100</pubDate><category>further with</category><category>oval</category><category>disintegration loops</category></item><item><title>Further with…The Disintegration Loops #4: Chris Watson,...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_ll5gegm6V51qff2gbo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Further with…The Disintegration Loops #4: Chris Watson, ‘&lt;span&gt;Vatnajökull’ from Weather Report &lt;/span&gt;(Touch, 2003)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Sound-recordist Chris Watson captures the sounds of a natural change of state in the slow thaw of an Icelandic glacier into the waters of the Norwegian Sea.&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5456978784</link><guid>http://furtherlistening.tumblr.com/post/5456978784</guid><pubDate>Fri, 13 May 2011 20:49:28 +0100</pubDate><category>further with</category><category>chris watson</category><category>disintegration loops</category></item><item><title>Further with…The Disintegration Loops #3: Terry Riley, Music for...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_ll03ntNoLI1qff2gbo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Further with…The Disintegration Loops #3: Terry Riley, Music for The Gift (First recorded 1963, can be found on Cortical Foundation CD, 2000)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Early adventures in tape looping and feedback, as Riley processed a recording he had made of Chet Baker’s Quartet he reported that he was “&lt;/span&gt;&lt;span&gt;starting to understand what repetition could do for musical form”.&lt;/span&gt;&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5384750285</link><guid>http://furtherlistening.tumblr.com/post/5384750285</guid><pubDate>Wed, 11 May 2011 07:02:00 +0100</pubDate><category>chet baker's quartet</category><category>disintegration loops</category><category>further with</category><category>terry riley</category></item><item><title>Further with…The Disintegration Loops #2: Auto-Destructive Art
A...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lkzw60d0V31qff2gbo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Further with…The Disintegration Loops #2: Auto-Destructive Art&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;A violent reaction to a violent world, Auto-Destructive Art is art that self-destructs, if it leaves a trace this is then cast away. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Artist Gustav Metzger created manifestos for Auto-Destructive Art in 1959, 1960 and 1961, read them &lt;a href="http://radicalart.info/destruction/metzger.html" target="_blank"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5367291441</link><guid>http://furtherlistening.tumblr.com/post/5367291441</guid><pubDate>Tue, 10 May 2011 20:44:00 +0100</pubDate><category>disintegration loops</category><category>further with</category><category>gustav metzger</category></item><item><title>Further with…The Disintegration Loops #1: Indignant Senility,...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lky8airYjS1qff2gbo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Further with…The Disintegration Loops #1: Indignant Senility, Plays Wagner (Type, 2010)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;Pat Meher project involving the processing of battered charity shop Wagner vinyl, paced down and filtered onto C60 tape and back onto vinyl and cd with all the accumulated hiss.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5341555152</link><guid>http://furtherlistening.tumblr.com/post/5341555152</guid><pubDate>Mon, 09 May 2011 23:11:06 +0100</pubDate><category>the disintegration loops</category><category>indignant senility</category><category>further with</category></item><item><title> 
Further with…The Disintegration Loops I-IV (MMLXII/2062,...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/98grG7l8qgk?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Further with…The Disintegration Loops I-IV (MMLXII/2062, 2001-2003)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;In the next of our continuing ‘Further with…’ series we consider William Basinski’s The Disintegration Loops. This work comprises six unique loops spread over &lt;a href="http://www.discogs.com/artist/William+Basinski" target="_blank"&gt;four &lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.discogs.com/artist/William+Basinski" target="_blank"&gt;separately&lt;/a&gt;&lt;span&gt;&lt;a href="http://www.discogs.com/artist/William+Basinski" target="_blank"&gt; released discs&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Extracts from compositions Basinski had recorded to tape in the 1980s provide the source material for these loops. As they were replayed to be digitised the magnetic tape flaked and corroded to varying degrees, we hear the results.&lt;/p&gt;
&lt;p&gt;Through the week we will be posting a series of connected sources, a hypothetical “further listening”(/reading!) list.&lt;/p&gt;
&lt;p&gt;As ever, the best way of introduction (or reintroduction) to this work is to hear the series of releases in full yourself. You can buy the releases direct from the artist &lt;a href="http://www.mmlxii.com/music/music.html" target="_blank"&gt;here&lt;/a&gt;. The video above is an extract from a dvd accompanying the series.&lt;/p&gt;
&lt;p&gt;Visit @listenfurther on Twitter for more on this feature and further discussion&lt;span&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5316155201</link><guid>http://furtherlistening.tumblr.com/post/5316155201</guid><pubDate>Sun, 08 May 2011 23:24:32 +0100</pubDate><category>further with</category><category>william basinski</category><category>disintegration loops</category></item><item><title>Further with…Silent Shout #5: Zola Jesus, ’Lady in the...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lkktykq2sP1qff2gbo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Further with…Silent Shout #5: Zola Jesus,&lt;/strong&gt;&lt;strong&gt; ’Lady in the Radiator’ from New Amsterdam&lt;/strong&gt;&lt;strong&gt; (Sacred Bones Records, 2009)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Goth-pop version of ‘Lady in the Radiator’, which originally featured in David Lynch’s first feature film, 1977’s &lt;a href="http://www.imdb.com/name/nm0000186/" target="_blank"&gt;‘Eraserhead’&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5134604774</link><guid>http://furtherlistening.tumblr.com/post/5134604774</guid><pubDate>Mon, 02 May 2011 17:32:00 +0100</pubDate><category>further with</category><category>silent shout</category><category>the knife</category><category>zola jesus</category></item><item><title>Further with…Silent Shout #4: Chicks on Speed/Mika Vainio, Flame...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lkjik3f6Ol1qff2gbo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Further with…Silent Shout #4: Chicks on Speed/Mika Vainio,&lt;/strong&gt;&lt;strong&gt; Flame On&lt;/strong&gt;&lt;strong&gt; (Chicks On Speed Records, 2003)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;This hidden album track released as 10” single sees electroclash heroines Chicks On Speed in a death-disco duet with industrial Finn Mika Vainio.&lt;/span&gt;&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5115485042</link><guid>http://furtherlistening.tumblr.com/post/5115485042</guid><pubDate>Mon, 02 May 2011 00:28:00 +0100</pubDate><category>silent shout</category><category>mika vainio</category><category>chicks speed</category><category>further with</category></item><item><title>Further with…Silent Shout #3: Plastikman,...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lkdxvbdLog1qff2gbo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Further with…Silent Shout #3: Plastikman, ‘Disconnect’ from Closer&lt;/strong&gt;&lt;strong&gt; (NovaMute/M_nus, 2003&lt;/strong&gt;&lt;strong&gt;)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Foreboding electro-trip from Richie Hawtin as Plastikman.&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/5024433495</link><guid>http://furtherlistening.tumblr.com/post/5024433495</guid><pubDate>Fri, 29 Apr 2011 00:14:00 +0100</pubDate><category>plastikman</category><category>silent shout</category><category>further with</category></item><item><title>Further with…Silent Shout #2: Black Hole, Charles...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lk99gfwkl81qff2gbo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Further with…Silent Shout #2: Black Hole, Charles Burns&lt;/strong&gt;&lt;strong&gt; (12-issue comic series, 1995-2005&lt;/strong&gt;&lt;strong&gt;)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Teenagers become mutants in this cult American horror comic series.&lt;/span&gt;&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/4953518563</link><guid>http://furtherlistening.tumblr.com/post/4953518563</guid><pubDate>Tue, 26 Apr 2011 11:36:15 +0100</pubDate><category>further with</category><category>charles burns</category><category>silent shout</category></item><item><title>Further with…Silent Shout #1: Balam Acab, ‘See...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lk81f7pfxR1qff2gbo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Further with…Silent Shout #1: Balam Acab&lt;/strong&gt;&lt;strong&gt;, ‘See Birds’ from See Birds EP (Tri Angle Records&lt;/strong&gt;&lt;strong&gt;, 2010)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;This track is taken from an EP release on &lt;/span&gt;&lt;span&gt;Robin Carolan’s&lt;/span&gt;&lt;span&gt; &lt;a href="http://tri-anglerecords.com/" target="_blank"&gt;Tri Angle&lt;/a&gt; label. Genre tags applied to Balam Acab by webzine &lt;a href="http://pitchfork.com/" target="_blank"&gt;Pitchfork&lt;/a&gt; include ‘post-dubstep’, ‘witch-house’ and ‘gloom-pop’.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/4932595410</link><guid>http://furtherlistening.tumblr.com/post/4932595410</guid><pubDate>Mon, 25 Apr 2011 19:45:00 +0100</pubDate><category>silent shout</category><category>balam acab</category><category>tri angle</category><category>further with</category></item><item><title> 
Further with…Silent Shout (Rabid Records/Brille Records/Mute,...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lk691vl8vH1qff2gbo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Further with…Silent Shout (Rabid Records/Brille Records/Mute, 2006)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Knife have announced today that they are in the process of recording a brand new album, currently set for release in 2012. Each day this week we’ll be re-exploring their last “proper” full-length, Silent Shout, through some notable sources and further points of reference.&lt;/p&gt;
&lt;p&gt;As ever, the best way of introduction (or reintroduction) to this record is to hear it in full yourself. For a direct Spotify link to the full album click the cover.&lt;/p&gt;
&lt;p&gt;Visit @listenfurther on Twitter for more on this feature and further discussion&lt;span&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/4903579402</link><guid>http://furtherlistening.tumblr.com/post/4903579402</guid><pubDate>Sun, 24 Apr 2011 20:34:00 +0100</pubDate><category>further with</category><category>the knife</category><category>silent shout</category></item><item><title> 
Unreleased Burial Pick #6:
‘Stairwell’
(‘Kode9 Sonar...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/OYO3CKrCIuE?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unreleased Burial Pick #6:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;‘Stairwell’&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;(‘Kode9 &lt;span&gt;Sonar mix’ for Go! magazine, 2007&lt;/span&gt;)&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/4871488064</link><guid>http://furtherlistening.tumblr.com/post/4871488064</guid><pubDate>Sat, 23 Apr 2011 19:29:00 +0100</pubDate><category>burial</category><category>hyperdub</category><category>youtube</category></item><item><title> 
Unreleased Burial Pick #5:
‘Feral Witchchild’
(‘Untrue Preview...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/Tbje5Ski6KU?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unreleased Burial Pick #5:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;‘Feral Witchchild’&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;(‘Untrue Preview Mixed by Kode9’ BBC Radio 1 Experimental, 2007)&lt;/p&gt;</description><link>http://furtherlistening.tumblr.com/post/4809884945</link><guid>http://furtherlistening.tumblr.com/post/4809884945</guid><pubDate>Thu, 21 Apr 2011 18:18:00 +0100</pubDate><category>burial</category><category>hyperdub</category><category>youtube</category></item></channel></rss>
